A romance that plays out in the splashy, sensational world of British tabloids.

Rag Doll is a classic girl leaves small town and heads to London tale. This particular teenage rebellion is centred around Carol (Christina Gregg), who leaves her drunk uncle (Flynn, Patrick Magee) for the bright lights of the big city. She's befriended by 'auntie' (Hermione Baddeley) and cafe owner Mort Wilson (Kenneth Griffith), gettng a bed, a job in the cafe and with Wilson, an admirer too. It's all going well - then she falls in love.

It’s 1854 and ten-year-old Millie is taken in by ‘Raggie Aggie’ after her mother dies in a Newcastle brothel. The spirited young Millie is exposed again to the corrupting influences of the streets of Newcastle.

Tim Kelly is an orphan who runs away after his orphanage burns down. Presumed to be killed in the fire, he is able to roam the streets of New York freely. He meets Max Ginsberg, an old Jewish junk dealer with rheumatism, and the two strike a partnership and a close friendship.

The life of a priest seconded to a New Orleans police department begins to fall apart when he is wrongly implicated in the shooting of a suspect. However, it comes to light that the precinct is haunted by the spirit of a deceased policeman, who helps the beleaguered cleric to solve the case and clear his name.

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Exploring the world of student's rags in Manchester, Hull, Sheffield, and Leeds.

Geumsong, Dong-gu, Incheon. Following the exodus of over a thousand households, a vast redevelopment zone spanning 160,000 square meters remains as a primordial void, stripped of human presence. At the center of this silent urban wasteland, “Tale” (Seolhwa) closely observes the lives of magpies nesting within the hand’s-width gap of utility pole transformers—a precarious sanctuary flowing with high-voltage electricity. For these urban magpies, the city's infrastructure serves as a shield against external threats. Throughout the winter, they painstakingly gather twigs to construct their fortress; come spring, they raise their young. Yet, this nest, resting atop a lethal current, is deemed a latent threat to the human city, destined for imminent removal. Within this extremely confined space, the magpie, the human, and the predator repeatedly encounter one another, oscillating between coexistence and conflict. Here, in this narrow gap, cycles of burning, collapsing, disappearing, and being reborn unfold daily. The film superimposes this physical reality with the ethical narrative of the traditional Korean folktale, “The Grateful Magpie.” In the myth, a magpie sacrifices its body to ring a bell, saving the human who rescued its chicks from a crow. “Tale” juxtaposes the bird tirelessly building its fragile home against the human who must destroy it in the name of safety, while the cries of crows circle like an ancient chorus foretelling revenge and loss. As human speech, the mechanical noise of the city, and animal cries resonate in uncanny harmony, “Tale” moves toward a zone of indeterminacy where the boundaries between perpetrator and victim, mourning and revenge, history and myth blur into one.

The events of the film take place in the early sixties of the XX century, when the exploration of Antarctica was just beginning and the ice continent was full of secrets and mysteries. A group of polar explorers, before being sent to their homeland, is given the task of re-preserving the Vostok intracontinental station.

A children's TV show host, after the loss of his daughter, attempts to seek solace in Bangkok after meeting the singer of an all-girl Thai rock band, who helps him reconnect with his long-muted passion for making music.